{"id":14911,"date":"2025-09-30T16:18:24","date_gmt":"2025-09-30T14:18:24","guid":{"rendered":"https:\/\/www.ivanglajch.sk\/?post_type=jetpack-portfolio&p=14911"},"modified":"2025-10-07T09:47:57","modified_gmt":"2025-10-07T07:47:57","slug":"autorske-diela","status":"publish","type":"jetpack-portfolio","link":"https:\/\/www.ivanglajch.sk\/index.php\/portfolio\/autorske-diela\/","title":{"rendered":"Vybran\u00e9 autorsk\u00e9 objekty"},"content":{"rendered":"\n
<\/div>\n\n\n\n

Koruna Jablone (Hommage \u00e0 Brunovsk\u00fd)<\/h2>\n\n\n\n
\"Koruna
Koruna Jablone (Hommage \u00e0 Brunovsk\u00fd)<\/figcaption><\/figure>\n\n\n\n

Reli\u00e9fna n\u00e1stenn\u00e1 plastika s organick\u00fdm a text\u00farovan\u00fdm povrchom. Kompoz\u00edcia je tvoren\u00e1 hustou sple\u0165ou \u0161tylizovan\u00fdch listov a kvetov, ktor\u00e9 evokuj\u00fa korunu stromu alebo symbolick\u00fd ovocn\u00fd sad. Svetl\u00e9, hladk\u00e9 centr\u00e1 kvetov vytv\u00e1raj\u00fa vizu\u00e1lnu \u0161trukt\u00faru a h\u013abku. Toto dielo sl\u00fa\u017ei ako form\u00e1lny a tematick\u00fd odkaz (hommage) na tvorbu majstra slovenskej grafiky a ma\u013eby, Alb\u00edna Brunovsk\u00e9ho<\/p>\n\n\n\n

<\/div>\n\n\n\n

Ex voto<\/h2>\n\n\n\n
\"Ex
Ex voto<\/figcaption><\/figure>\n\n\n\n

Tmav\u00e1 dreven\u00e1 busta s architektonick\u00fdmi prvkami, ktor\u00e1 komponuje ritu\u00e1lny a vot\u00edvny charakter<\/strong> s expres\u00edvnou \u0161tyliz\u00e1ciou. Svetl\u00fd objekt na hrudi predstavuje du\u0161evn\u00fd prvok<\/strong>, \u010d\u00edm odkazuje na akt prosby . K\u013e\u00fa\u010dov\u00e1 je v\u0161ak pr\u00e1ca s hlavou: deform\u00e1cia tv\u00e1re, <\/strong>predstavuje vizu\u00e1lnu disrupciu reality<\/strong>. T\u00e1to deform\u00e1cia sl\u00fa\u017ei ako prostriedok na vyjadrenie intenz\u00edvnej vn\u00fatornej sk\u00fasenosti<\/strong> a ako kritick\u00e1 reflexia percepcie. Umelec tak vyu\u017e\u00edva zveli\u010denie na transcendent\u00e1lny koment\u00e1r<\/strong> k figurat\u00edvnemu umeniu.<\/p>\n\n\n\n

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Chr\u00e1nenci (Diptych)<\/h2>\n\n\n\n
\"Chr\u00e1nenci
Chr\u00e1nenci (Diptych)<\/figcaption><\/figure>\n\n\n\n

Dvojica figur\u00e1lnych plast\u00edk, ktor\u00e9 predstavuj\u00fa ment\u00e1lnu interpret\u00e1ciu \u013eudskej formy. Postavy s\u00fa hyperbolicky \u0161tylizovan\u00e9, tenk\u00e9 kon\u010datiny, v\u00fdrazn\u00e9 zadky, karikat\u00farna tv\u00e1r Maj\u00fa mytologick\u00e9 atrib\u00faty<\/p>\n\n\n\n

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Posol Transform\u00e1cie<\/h2>\n\n\n\n
\"Posol
Posol Transform\u00e1cie<\/figcaption><\/figure>\n\n\n\n

T\u00e1to figur\u00e1lna plastika predstavuje komplexn\u00fa synt\u00e9zu mytol\u00f3gie a surrealistickej imagin\u00e1cie<\/strong>. Dielo je \u0161truktur\u00e1lne zalo\u017een\u00e9 na mot\u00edve kentaurickej formy<\/strong>, kde je \u013eudsk\u00fd trup a hlava neprirodzene spojen\u00fd so \u0161tyrmi zvierac\u00edmi kon\u010datinami. Toto hybridn\u00e9 spojenie tela a zviera\u0165a odkazuje na t\u00e9mu prap\u00f4vodn\u00e9ho konfliktu<\/strong> medzi pudmi a intelektom.<\/p>\n\n\n\n

Pr\u00edtomnos\u0165 okr\u00eddlen\u00fdch elementov<\/strong> \u2013 symbolicky pripojen\u00fdch k \u013eudskej \u010dasti \u2013 signalizuje potenci\u00e1l duchovnej transmut\u00e1cie<\/strong> a povznesenia. Expres\u00edvne spracovanie trupu, najm\u00e4 otvoren\u00fd hrudn\u00edk, ktor\u00fd odha\u013euje hviezdicov\u00fd mot\u00edv<\/strong>, akcentuje vn\u00fatorn\u00fa, alchymistick\u00fa premenu<\/strong> alebo hlbok\u00fd vn\u00fatorn\u00fd konflikt<\/strong> postavy.<\/p>\n\n\n\n

Soch\u00e1rsky jazyk s tmavou, patinovanou text\u00farou zd\u00f4raz\u0148uje archaick\u00fa a nad\u010dasov\u00fa kvalitu<\/strong> zobrazenia. Deform\u00e1cia a paradoxn\u00e9 spojenie foriem<\/strong> presahuj\u00fa realistick\u00e9 zobrazenie a pos\u00favaj\u00fa dielo do sf\u00e9ry surrealizmu<\/strong>, kde je telo nosi\u010dom zlo\u017eit\u00e9ho psychologick\u00e9ho a symbolick\u00e9ho narat\u00edvu.<\/p>\n\n\n\n

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RAVE<\/h2>\n\n\n\n
\"RAVE\"
RAVE<\/figcaption><\/figure>\n\n\n\n

Dreven\u00e1 plastika mu\u017eskej busty s vysoko \u0161tylizovan\u00fdm, plamenn\u00fdm \u00fa\u010desom. Kontrast medzi organick\u00fdm spracovan\u00edm dreva a s\u00fa\u010dasn\u00fdm doplnkom (ru\u017eov\u00e9 okuliare) vytv\u00e1ra nap\u00e4tie medzi trad\u00edciou a s\u00fa\u010dasnos\u0165ou, \u010d\u00edm dielo nadob\u00fada pop-artov\u00fd podt\u00f3n a z\u00e1rove\u0148 odkazuje na kult\u00farne ikony.<\/p>\n\n\n\n

<\/div>\n\n\n\n

herm\u00e9s<\/h2>\n\n\n\n
\"Hermes\"
Hermesova Hanblivos\u0165<\/figcaption><\/figure>\n\n\n\n

T\u00e1to vysok\u00e1, \u0161t\u00edhla dreven\u00e1 figur\u00e1lna plastika je charakteristick\u00e1 expres\u00edvne pred\u013a\u017een\u00fdmi l\u00edniami<\/strong>, ktor\u00e9 cel\u00fa postavu vy\u0165ahuj\u00fa do vertik\u00e1ly a dod\u00e1vaj\u00fa jej archaick\u00fd, no dynamick\u00fd v\u00fdraz.<\/p>\n\n\n\n

Postava s kr\u00eddlami umiestnen\u00fdmi na hlave<\/strong> priamo evokuje mytologick\u00e9ho Herma<\/strong>, posla bohov, ktor\u00fd bol patr\u00f3nom cestovania, obchodu a komunik\u00e1cie. Kr\u00eddla (petasos) v tomto kontexte symbolizuj\u00fa r\u00fdchlos\u0165 mysle a prenos inform\u00e1ci\u00ed<\/strong>. Paradoxne, napriek tejto symbolike slobody a pohybu, postava stoj\u00ed v geste hanblivosti a ochrany<\/strong>, \u010d\u00edm odkazuje na klasick\u00e9 zobrazenia nahoty (napr. Venus Pudica<\/em>).<\/p>\n\n\n\n

Toto nap\u00e4tie medzi bo\u017eskou r\u00fdchlos\u0165ou a \u013eudskou zranite\u013enos\u0165ou, \u010di ostychom<\/strong> vytv\u00e1ra k\u013e\u00fa\u010dov\u00fd narat\u00edv diela. Socha tak ironicky sp\u00e1ja nepolapite\u013en\u00fa podstatu Herma<\/strong> s \u013eudskou rozpakovos\u0165ou, \u010d\u00edm komentuje konflikt medzi duchovnou a telesnou sf\u00e9rou bytia.<\/p>\n\n\n\n

<\/div>\n\n\n\n

ritu\u00e1l<\/h2>\n\n\n\n
\"Ritu\u00e1l\"
Ritu\u00e1l<\/figcaption><\/figure>\n\n\n\n

Dreven\u00e1 figur\u00e1lna plastika squatuj\u00facej postavy, vyzna\u010duj\u00faca sa exagerovan\u00fdmi telesn\u00fdmi proporciami a deform\u00e1ciou. Postava s polmesiacom nad hlavou a prekri\u017een\u00fdmi rukami nazna\u010duje ritu\u00e1lny a introspekt\u00edvny stav. Dielo je umiestnen\u00e9 na hranatom drevenom podstavci, pod ktor\u00fdm je ukotven\u00e1 leskl\u00e1, zlatist\u00e1 gula, symbolizuj\u00faci bo\u017esk\u00fd element.<\/p>\n\n\n\n

<\/div>\n\n\n\n

sp\u00fatan\u00e1 m\u00faza<\/h2>\n\n\n\n
\"Sp\u00fatan\u00e1
Sp\u00fatan\u00e1 M\u00faza<\/figcaption><\/figure>\n\n\n\n

Figurat\u00edvna plastika s rozdielnym spracovan\u00edm hornej a dolnej \u010dasti tela. Hladk\u00fd, svetl\u00fd trup a hlava \u017eenskej postavy kontrastuj\u00fa s drsn\u00fdm, tmav\u00fdm, zavinut\u00fdm spodn\u00fdm dielom pripom\u00ednaj\u00facim tkaninu dreva. Extravagantne \u0161tylizovan\u00fd \u00fa\u010des, vo forme uzlov a celkov\u00e9 proporcie nazna\u010duj\u00fa siln\u00fd symbolick\u00fd narat\u00edv o transform\u00e1cii. Dielo vzniklo na soch\u00e1rskom symp\u00f3ziu v Kom\u00e1rne<\/p>\n\n\n\n

<\/div>\n\n\n\n

keramick\u00e9 objekty<\/h2>\n\n\n\n
\"Element\u00e1rna
Element\u00e1rna kompoz\u00edcia (Terra)<\/figcaption><\/figure>\n\n\n\n

T\u00e1to kompoz\u00edcia troch keramick\u00fdch objektov na bielych podstavcoch je v\u00fdberom, ktor\u00fd demon\u0161truje autorov hlbok\u00fd z\u00e1ujem o objem, tvar a alch\u00fdmiu materi\u00e1lov<\/strong>. Zobrazen\u00e9 objekty \u2013 redukovan\u00e9 na esenci\u00e1lne formy ako gu\u013ea a kvapka \u2013 s\u00fa reprezentat\u00edvnou vzorkou rozsiahlej keramickej <\/strong> autora.<\/p>\n\n\n\n

Ich vizu\u00e1lna sila spo\u010d\u00edva v hladkej, tmavej patine s metalick\u00fdmi akcentmi<\/strong>, ktor\u00e1 evokuje pr\u00edrodn\u00e9 procesy a element\u00e1rne \u0161trukt\u00fary. Prezent\u00e1cia na minimalistick\u00fdch podstavcoch zd\u00f4raz\u0148uje \u010distotu tvaru<\/strong> a pozornos\u0165, ktor\u00fa autor venuje transform\u00e1cii hliny a kovu do trval\u00fdch, kontemplat\u00edvnych objektov.<\/p>\n\n\n\n

<\/div>\n\n\n\n

tretie oko<\/h2>\n\n\n\n
\"NOV\u00c9
NOV\u00c9 TRETIE OKO<\/figcaption><\/figure>\n\n\n\n

T\u00e1to kombinovan\u00e1 plastika evokuje stav roz\u0161\u00edren\u00e9ho vedomia z transcendent\u00e1lnej sk\u00fasenosti<\/strong>. Hladk\u00e1, biela keramick\u00e1 busta, ktor\u00e1 je vizu\u00e1lne z\u00e1merne rozmazan\u00e1,<\/strong> signalizuje odklon od pr\u00edsneho realistick\u00e9ho spracovania reality<\/strong>. Tento posun je k\u013e\u00fa\u010dov\u00fd pre t\u00e9mu diela.<\/p>\n\n\n\n

D\u00f4raz je kladen\u00fd na explicitne stv\u00e1rnen\u00e9 Tretieho oka na \u010dele<\/strong>, ktor\u00e9 symbolizuje otvoren\u00fa br\u00e1nu k novo z\u00edskan\u00fdm, zdanlivo iracion\u00e1lnym a doteraz nevn\u00edman\u00fdm dimenzi\u00e1m<\/strong> poznania. Expres\u00edvne, modr\u00e9, koralovo text\u00farovan\u00e9 vlasy<\/strong> funguj\u00fa ako vizu\u00e1lna metamorf\u00f3za roz\u0161\u00edren\u00e9ho vedomia <\/strong>a transcendent\u00e1lnej s\u00favislosti<\/strong>, ktor\u00e9 prich\u00e1dzaj\u00fa s poznan\u00edm novej reality.<\/p>\n\n\n\n

Kontrast medzi snovou, takmer m\u0155tvolnou belobou tv\u00e1re a divokou, hyperrealistickou text\u00farou „kor\u00e1lov“ na hlave, ktor\u00e9 evokuj\u00fa nov\u00fa realitu poznania, vytv\u00e1ra siln\u00e9 nap\u00e4tie medzi vn\u00fatorn\u00fdm pokojom (medit\u00e1ciou)<\/strong> a exteri\u00e9rovou b\u00farkou<\/strong> z\u00edskan\u00fdch nov\u00fdch poznatkov.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Koruna Jablone (Hommage \u00e0 Brunovsk\u00fd) Reli\u00e9fna n\u00e1stenn\u00e1 plastika s organick\u00fdm a text\u00farovan\u00fdm povrchom. Kompoz\u00edcia je tvoren\u00e1 hustou sple\u0165ou \u0161tylizovan\u00fdch listov a kvetov, ktor\u00e9 evokuj\u00fa korunu stromu alebo symbolick\u00fd ovocn\u00fd sad. Svetl\u00e9, hladk\u00e9 centr\u00e1 kvetov vytv\u00e1raj\u00fa vizu\u00e1lnu \u0161trukt\u00faru a h\u013abku. Toto dielo sl\u00fa\u017ei ako form\u00e1lny a tematick\u00fd odkaz (hommage) na tvorbu majstra slovenskej grafiky a ma\u013eby, […]<\/p>\n","protected":false},"author":1,"featured_media":14913,"comment_status":"open","ping_status":"closed","template":"","jetpack-portfolio-type":[31],"jetpack-portfolio-tag":[108],"class_list":["post-14911","jetpack-portfolio","type-jetpack-portfolio","status-publish","has-post-thumbnail","hentry","jetpack-portfolio-type-autorske-diela","jetpack-portfolio-tag-umelecke-dielo"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ivanglajch.sk\/index.php\/wp-json\/wp\/v2\/jetpack-portfolio\/14911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ivanglajch.sk\/index.php\/wp-json\/wp\/v2\/jetpack-portfolio"}],"about":[{"href":"https:\/\/www.ivanglajch.sk\/index.php\/wp-json\/wp\/v2\/types\/jetpack-portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.ivanglajch.sk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ivanglajch.sk\/index.php\/wp-json\/wp\/v2\/comments?post=14911"}],"version-history":[{"count":51,"href":"https:\/\/www.ivanglajch.sk\/index.php\/wp-json\/wp\/v2\/jetpack-portfolio\/14911\/revisions"}],"predecessor-version":[{"id":16797,"href":"https:\/\/www.ivanglajch.sk\/index.php\/wp-json\/wp\/v2\/jetpack-portfolio\/14911\/revisions\/16797"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ivanglajch.sk\/index.php\/wp-json\/wp\/v2\/media\/14913"}],"wp:attachment":[{"href":"https:\/\/www.ivanglajch.sk\/index.php\/wp-json\/wp\/v2\/media?parent=14911"}],"wp:term":[{"taxonomy":"jetpack-portfolio-type","embeddable":true,"href":"https:\/\/www.ivanglajch.sk\/index.php\/wp-json\/wp\/v2\/jetpack-portfolio-type?post=14911"},{"taxonomy":"jetpack-portfolio-tag","embeddable":true,"href":"https:\/\/www.ivanglajch.sk\/index.php\/wp-json\/wp\/v2\/jetpack-portfolio-tag?post=14911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}